Flesh: Not
even his past held him.
His
skin a silvery thing unknown before,
unchainable
as water: never free
but
ever becoming so. He prophesied
such
harsh, luminous, here-of-the-flesh signs,
the
possible and the new; his lashed escapes
offered
hope to men alleyed in rain
or
frozen trash. How is there hurt in that?
Latch: The
lie that comforts is no less savage for it.
He
worked old forms: rust-bit fetters not his own,
battered
links, drab trunk-tricks bought at bargain.
Most
himself when shut in dark cabs, railcars,
or
the granite hinge of lidded tradition--
in
the strange unmoored cast and drift of words
flux
and struggle held him fast; he knew all
escapes
are false escapes and a work is roped
to
its past. Now men strut and mock him for it.
They
claim he lived too close to chains to find
the
dark hasped clench or lurch of a locked art,
and
drag back the bolt, and not be terrified.
Flesh: And
there is sense in that. True freedom burns.
Like
cable, rope, cuffs, like electric light
or
aeroplanes he linked and forged the age,
he
learned his low opinion of mankind
comparing
men to chains.
Steven Price
will now saw himself in half.